Meet Mike Philp, an award-winning tattoo artist turned creator of timeless art. At the heart of Mike’s work lies a blend of nature and geometry, forming his unique style, “Geo Realism.” This approach merges the precision of geometric designs with the fluidity of natural elements, captivating viewers with its harmony and depth.

Over 14 years in the tattoo industry, Mike perfected his craft, transforming skin into a canvas of personal stories and profound self-expression. His journey in tattoo artistry laid the foundation for his current venture, “Co-Create Tattooing,” where he collaborates closely with clients to create deeply personalized tattoos.

Now, as Mike ventures into the realm of physical art, he brings his unique perspective from tattooing to create pieces that adorn not just the body but also the homes of art enthusiasts. His evolution from tattoo artistry to creating physical art pieces marks him as a versatile and creative force in the art world.

Discover the captivating world of Mike Philp’s Geo Realism at Quantus Gallery. Experience art that not only endures through time but also enriches lives with its beauty and emotional depth.

Step into a world where the female form is a canvas of strength, beauty and resilience. Quantus Gallery proudly presents “Radiant Resilience: Zara Muse’s Women in Palette Knife,” an awe-inspiring exhibition that delves into the transformative power of art in the midst of adversity. Zara Muse, the creative force behind these captivating works, offers a contemporary perspective on classical portraiture. Her vibrant, palette knife techniques breathe life into her subjects, infusing them with vitality and depth.

With a dynamic range of mediums, from acrylics and oils to watercolours and mixed media, Zara’s art captures the essence of the feminine spirit in all its glory. “Radiant Resilience” invites you to explore the strength, resilience and optimism that radiate from each canvas, providing a beacon of hope during challenging times. Join us on this artistic journey and immerse yourself in the vibrant world of Zara Muse’s extraordinary talent.

‘The Power of Touch’, invites its visitors to touch, feel and experience Reynolds’ distinctive Braille art. Sighted members are given special glasses where they can sample the art the same way a blind / partially sighted person would.

Through the tactile language of raised circular dots, Reynolds expresses his journey as an artist, bringing to life the experience of those who are blind or visually impaired in a way that is both visually stunning and emotionally moving. “Obviously, when I learnt Braille three years ago, it was like ‘how can I make it accessible for everyone?’, and I was like, well, Braille is not meant to be seen,” explains the artist.

“Then I had the idea of giving it colour and behind you, they look like something very pop-arty, but the colours aren’t random. So what I did… I looked at the commonality of letters appearing in words, then used colour theory, so they weren’t just random colours I plucked out of the air,” he adds.

‘The Power of Touch’, invites its visitors to touch, feel and experience Reynolds’ distinctive Braille art. Sighted members are given special glasses where they can sample the art the same way a blind / partially sighted person would.

Through the tactile language of raised circular dots, Reynolds expresses his journey as an artist, bringing to life the experience of those who are blind or visually impaired in a way that is both visually stunning and emotionally moving. “Obviously, when I learnt Braille three years ago, it was like ‘how can I make it accessible for everyone?’, and I was like, well, Braille is not meant to be seen,” explains the artist.

“Then I had the idea of giving it colour and behind you, they look like something very pop-arty, but the colours aren’t random. So what I did… I looked at the commonality of letters appearing in words, then used colour theory, so they weren’t just random colours I plucked out of the air,” he adds.

The Cookie Monster attends a meeting for overeaters; Eeyore and Pooh Bear re-enact a therapy session; Sesame Street’s Bert and Ernie have an obsession with adult content; even the confectionery you find at meetings has had a makeover… it’s all the work of a pair of recovered addicts-turned-artists, DJ Fat Tony and Ed Worley (aka Opake), who between them are celebrating their recovery through some unsettling and provocative art.

These two creative forces have United in desire to confront the stigma of trauma through honesty, advocacy and humour. A tongue-in-cheek look at the different forms of addiction and recovery, the art featured in Church Halls and Broken Biscuits (26 April – 20 May) explores the ’12 steps to recovery’ mindset and behaviours. Meetings often take place in church halls or community centres, where tea is served alongside biscuits decorated with positive affirmations such as ‘One day at a time’.

Opake’s works often feature cartoon characters, and both Winnie the Pooh and the familiar figures from Sesame Street make an appearance on canvas. Cookie Monster attends an Overeaters meeting. The Count counts off his recovery days. Bert and Ernie are cast as former porn and sex addicts. The middle of the gallery space will feature life-size soft sculptures of The Count, Cookie Monster, and Oscar the Grouch.